The first thing you should be doing – having finished a few tracks – is gathering feedback from people. It’s important to get a second set of ears on your music so you can learn what your weak points are and if there are any ongoing problems with your music (your low-end might be consistently too loud, for instance). They didn’t sound that great, but I learned something new with each project. If you want to speed up the learning process and follow a proven framework, check out edm foundations.
For example, you might decide to rigorously study acoustics or classical music, both of which will have bearing on your abilities as a producer. In my mind, some “masters” of electronic music production would be people like bt, above & beyond, mat zo, koan sound, and so forth. If you’re into sound design, you might delve into the physics side of it, learning why certain waveforms sound the way they do. If you love mixing, you might decide to intern at a studio or read some textbooks on audio.
The starting point for professional mix engineers is tracks comprising vocals and instruments that have been recorded professionally. It would probably be helpful if you Spinnin’ Records Ghost Producer have something like this as a starting point when you are learning how to mix. You could record some tracks yourself and have a go at mixing them together until they sound good.
We’ve had over 1800 beginner producers go through the course with great results. It’s worth having a go at mastering your productions yourself – please see our article about diy mastering. It’s only at this stage, with the addition of more loudness and the use of “audio exciters” that your music is likely to really start sounding like music that has been professionally produced. Mastering seems to be something that even professional producers don’t attempt themselves, at least for recordings that they intend to release commercially.
People will come to your studio to express their creativity via music and lyrics. A great producer will ensure a comfortable and inviting workspace for clients to produce music in. Make it so your clients want to create in your presence and trust that you will make their sound even better. Having reached the point of mastery, you might start to look for new challenges in related fields to music production.
There is detailed information on how each vocal and instrument was recorded, which helps you with the recording stage discussed above. Then you have detailed instructions about which effects to use and how to set them up to get the final sound. The best one I have come across is called “mixing the hits of country” by dave martin. Even if you don’t like country music this is a great book for learning about recording and mixing.
It helps to start with your strong points, because, at the end of the day, music production is too diverse a field to become a master in everything. The second thing you should be doing is building relationships with other producers and people in the industry. You should do this irrespective of whether you want to build a career in music, mainly because the opportunities that come from simply knowing people are invaluable.